MOUNTAINS WALKING
MOUNTAINS WALKING
When trumpeter Louis Armstrong was asked to explain jazz, he
said,” If you have to ask what jazz is, you’ll never know.”
If you have
to ask what Zen is, you’ll never know.
In the book Shobogenzo, Master Dogen did not define Zen, but he gave a hint by
saying Nature was the thread that holds Buddhism together.
Dogen’s chapter on “Mountains and
Waters” is one of his most insightful monologues. It is also one of the most
difficult for a Western mind to comprehend. Maybe this is because the Western
mind tends to evaluate and analyze rather than to absorb intuitively.
Perhaps
Westerners have been conditioned to interpret everything as a symbol for
something else. As one American poet lamented, “When I write about climbing a
tree I mean climbing a tree, not getting closer to Heaven.”
The Japanese
term for Shobogenzo’s “Mountains and
Waters” is Sansuigyo. It’s a word that means Nature, water, and Buddhism. So Sansuigyo
is about the natural world, and it uses mountains and rivers as examples of steadiness
and change.
Dogen starts
out by stating, “The mountains and waters of the present are the realization of
the words of eternal Buddhas.” That means mountains and waters are what they
are—mountains and waters. Nothing more, nothing less.
Constant and eternal is what mountains
and waters have always been and that’s what they will always be. Mountains may
be bulldozed, rivers may be frozen solid, but such changes don’t make them
anything different. Their Buddha nature is consistent.
You may be an
infant of a certain race, and a certain gender. You may be an adult. Whatever
you are at any time is what you are at that time.
But what
about the curious statement that says “mountains are constantly walking”? How
can a mountain of any shape move anywhere on foot?
A good
question. I’m glad you asked.
Nothing is
utterly and completely static. Whether a human being, or a mountain, or a
craftsman’s tool, it may appear to the eye to be motionless, but atom by atom
it is changing with time and so is moving.
Although mountains are still, they are constantly altering. It could be
said they are walking.
It could even
be said mountains are creeping, or crawling, or flying.
In whatever
way mountains—or humans, or tools—move they do not lose their essential being.
To use an old Buddhist term, their isness is maintained.
A human may
die, and humans eventually do, but their isness, spirit, or essence continues
to exist. A rock may be hammered into pebbles, but its rock-essence remains. What
is commonly called soul doesn’t rise like smoke and go to Heaven or sink to
Hell. Nor does it cease to exist. The thing may be gone, but isness is always
here, always now. It is constant and eternal.
So where and
when does this isness start? In animals does it begin with conception? In
plants does it activate with some other form of fertilization? In mountains
does it arise with the Big Bang?
Again I’m
glad you asked. The answer is no to all of the above. There is no beginning, no
end. Buddha nature is. It is our face
before we were born.
Dogen said
the walking of the mountains is swifter than the wind. But humans in the
mountains do not sense it or know that. In
the mountains, walking is the blooming of flowers, the movement of the air, the
falling of snow and of rain. People who have no eyes to truly see the mountains
do not sense, do not know, do not see, and do not realize this concrete fact.
Walking is a
matter of balance in nature and in oneself.
Dogen says,
“If we doubt the walking of the mountains we also do not yet know our own
walking. When we know our own walking, then we will surely know the walking of
the mountains.”
Think about
that.
The Zen poet
Gary Snyder wrote, "Dōgen is not concerned with sacred mountains, or pilgrimages,
or spirit allies, or wilderness as some special quality. His mountains and
streams are the processes of this earth, all of existence, process, essence,
action, absence; they roll being and non-being together. They are what we are,
we are what they are. For those who would see directly into essential nature,
the idea of the sacred is a delusion and an obstruction. It diverts us from
seeing what is before our eyes, plain thusness. Roots, stems, and branches are
all equally scratchy.
“So the mountains
walk to the kitchen and back to the shop, to the desk, to the stove. The blue
mountains march out of the sea, shoulder the sky for a while, and slip back
into the waters."
If we doubt
the walking of the mountains we also do not yet know our own walking. When we
know our own walking, then we will surely know the walking of the mountains.
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